'Visibility' 2013 Spray Paint and Newspaper on Bamboo Window Blinds. [1 of series of 4] By regularly creating on top of everyday objects, I present the ethos of Black Art being seen; a very literal approach. You will have to take notice it as it is placed in an everyday environment. Inspired by African masks and adornment scarification. Graffiti has been a source of reference for a number of years. The idea of saying something that is withheld is interesting to me. Here I present Art as a form of aesthetic advertisement.

'Visibility' 2013 Spray Paint and Newspaper on Bamboo Window Blinds. [1 of series of 4] By regularly creating on top of everyday objects, I present the ethos of Black Art being seen; a very literal approach. You will have to take notice it as it is placed in an everyday environment. Inspired by African masks and adornment scarification. Graffiti has been a source of reference for a number of years. The idea of saying something that is withheld is interesting to me. Here I present Art as a form of aesthetic advertisement.

SA'KA FETE? (How are you?) Creole. Oil on Canvas 2013. Studying spacial indifference, disposition and age. The main focus was to create challenging portraits in various mediums, which have similar dimensions to that of the viewers stance. The expressive portraits in motion depict a narrative. My intent is for the viewer to feel as though they are having a conversation with my subject. Exhibitied in 'Progression' at Mdx Uni

SA'KA FETE? (How are you?) Creole. Oil on Canvas 2013. Studying spacial indifference, disposition and age. The main focus was to create challenging portraits in various mediums, which have similar dimensions to that of the viewers stance. The expressive portraits in motion depict a narrative. My intent is for the viewer to feel as though they are having a conversation with my subject.

Exhibitied in 'Progression' at Mdx Uni

'Marvin' Acrylic Paint- Canvas. Experimenting with Colour's multiple representation of culture and life.

'Marvin' Acrylic Paint- Canvas. Experimenting with Colour's multiple representation of culture and life.

Changes 2012 Watercolour on Paper A4 x2. Photocopy facial dispositions. Exaggerating features and question the image of western beauty

Changes 2012 Watercolour on Paper A4 x2. Photocopy facial dispositions. Exaggerating features and question the image of western beauty